“Really shows off ERB and Octavio’s vocals. Octavio is a member of Holostars and you reacted to a collab song he did with Hakka.”

“I see it as a one of Calli's projects to celebrate her whole branch. Seeing as it shows off the vocals of so many HoloEN talents I thought it might be interesting to discuss them, and it's just a great song in general.”

“This is arguably THE Stray Kids ballad. What also makes it special is that 'Cover me' was written by Hyunjin (Arranged and Produced by Bang Chan and Nickko Young). I put both a live version from Dominate Japan and the lyrics Video (there is no MV) into the links. Also little note: In the lyrics video at 1.42 the "the sun will allways be there after the rain" line is actually Felix. The lyrics video is wrong there”

“This is the in-studio session for Wind & Wish. You seemed to really enjoy it during their Killing Voice for its variation from ballads. It’s also a glimpse into raw vocals and recording, which you’ve enjoyed with SKZ. Hyunsik wrote the song and directs the recording, but the exchange with members is really collaborative. This was their last album under Cube Ent. before creating their own studio and signing under different mgmt.”

“What if VTubers did Symphonic Prog Rock? Octavio, of Holostars English, gives us a sneak peek at what that would be like with his first original song, the Title Track of his 3D Debut Stream. All I'm saying is I want the full concept album.”

“This has to be one of the wildest debuts in K-pop history. The opening to the video explains the concept for EXO (at the time, EXO-K & EXO-M). This will link to the EXO-K version, but the request is to ALSO listen to the EXO-M version (https://youtu.be/eQ9sTtXSDwo?is=NUcO2p9uN0ZvsV9c), as it’s a different version of the same song. I WOULD ALSO LIKE TO ADD the Forestella cover & Xiaojun (of WayV)/Lars cover to this to make it a mega-study!”

“Original concept and music genres jammed together with awesome dancing as only Stray kids can”

“This is the in-studio recording session for The Song. This was their first release after all members completed military service, so post-Kingdom Legendary War. The Song is celebrating their 10th anniversary and features references to their previous hits, opening with sounds of the clock ticking as if stepping back in time. It is regarded as the song for Melody. This video is nice for its feeling of reuniting in the studio once again. It is also a look into raw vocals and recording, which you’ve enjoyed with SKZ. Hyunsik wrote the song (but I believe Minhyuk also contributed) and directs the recording, but the exchange with members is collaborative between members.”

“One of the most popular japanese metal groups which is something that hasn't really been covered yet here. This live really tells you everything about the band”

“This is the first part of a trilogy followed by utopia, it is beautiful, with deep meaning, and original and sang in a more classical crossover style.”

“Do I have a Dune obsession? Maybe. Is it justified? Definitely. Dune is SUCH an exciting song. Especially in the context of the rest of the album, I can’t recommend it enough and can’t stress enough how interesting the structure is. The individual members’ talents really shine through here like hardly anywhere else in any Ateez song. Unfortunately, there’s no performance of it...”

““Between Two Worlds” by Mili, one of my favorite songs from the band! It plays during one of the final boss fights in Limbus Company. Love the beautiful and dynamic vocal and instrumental arrangement throughout the song, and the gradual build up makes the song title so fitting. If you are familiar with the coming of age classic novel ‘Demian’ by Hermann Hesse, this part of the game is loosely based off it. The song’s dichotomy between the Realm of Light and the Realm of Darkness describes Sinclair’s struggle between the two worlds he finds himself in, and his journey in confronting his fears and breaking free from Kromer. Part of the song also describes Kromer’s opposing perspective. I think there are many aspects of this song that would make it a fun one to dive into!”

“Three performances of the same song across 11 years: Huang Xiaoyun singing “All By Myself” on The Voice of China in 2015, at her Beijing concert in 2024, and at the 2026 Asia Tourism Awards. I thought this could make an interesting vocal-evolution study—rather than just reacting to the high notes, it would be fascinating to compare how her registration, tone, dynamics, phrasing and overall efficiency have changed over more than a decade. 1. 2015 — The Voice of China https://youtu.be/7TiCmbIXvUk?is=Uk-XwJJM_tzgXi1_ This is Huang Xiaoyun at around 16 years old, very early in her career. Even at that age, the performance already showed the extraordinary range and power that would later become associated with her voice. It makes a fascinating starting point for comparing how her technique, tone, phrasing, and approach to the climactic high notes developed over the following decade. 2. 2024 — Beijing Concert https://youtu.be/4Ia5Vy3btwM?is=LPTl_rcSUYyZpejc Nearly nine years later, Huang returned to “All By Myself” during her own concert tour, but under unusually difficult circumstances. Shortly before the Beijing show, she developed acute pharyngitis and had to rely on steroid nebulization treatment to get through the concert. That makes this performance especially interesting to revisit—not simply as a comparison of vocal maturity, but as an example of how an experienced singer adapts her technique, pacing, and coordination when performing a highly demanding song while her voice is under physical stress. 3. 2026 — Asia Tourism Awards https://youtu.be/gBucJimjiCA?t=325&is=ITlT9E99vvxhnTt6 (from 5:26) This is the most recent of the three performances, more than a decade after her Voice of China version. Hearing the same song again at this stage of her career provides a great opportunity to examine how her vocal coordination, dynamics, tone, phrasing, and overall efficiency have evolved—and what has remained recognizably “Huang Xiaoyun” throughout all three performances.”

“My favourite Irys song amazing heartfelt lyrics. Release 4 year ago in her second EP Journey. It shows IRyS seeing the cruel and sad truth of the world, it is about watching the bad side of people and feeling lost. This song motivates me no matter how many times I listen to it, and I listen to it every day on my way to work.”

“I found the rhythmic and arranging complexity in this song amazing, like in all of Iyowa's song's there is a huge amount of detail, but I feel like this song turned it up to 11.”

“Blossom is one of Enhypen's Japanese songs that talks about separation and the pain that is experienced and living through difficulties to blossom in the end. Live performances are very emotional with former member Heeseung often singing along with and encouraging the crowd during concerts. I would suggest watching a live performance to truly understand the emotion the song conveys.”

“This was Forestella’s first performance on the TV show Immortal Songs”

“Sheena Ringo is a highly regarded Jpop Artist debuting in 1998 and still performing presently. I Believe we've reached a point where Tim should cover her stuff. This Song features Singer/Songwriter Hiroji Miyamoto who is another Highly Regarded Musician in the Jpop/Jrock scene. He debuted with his band "Elephant Kashimashi" in 1981 at the age of 15 (straight out of high school). He is also an Actor, and he makes and sings songs for the TV Shows he preforms in. The song released in 2018 and I believe it will really wow Tim.”

“Woo Rim was doing his military service during this time, but the other 3 members did phenomenal!”

“You reacted to the I'll Never Love Again live clip where he performed it in what looked like a support circle. But this is the official MV that won Best Music Video, Best Director and Best Asia&Pacific Music Video at the 2025 International Music Video Awards and was nominated for the IMDb 2026 SXSW Grand Jury Award. The director Lafic also did the MV for Human Extinction. You are welcome to combine this with the bundle request I added with behind the scenes videos and a few live performances.”

“The video has English subtitles. Beautiful music, and beautiful lyrics!”

“Following Apink's Killing Voice deep dive, an entry into Eunji's solo music works and amazing singing would be great! As the main vocal of Apink she adds colour to Apink's overall sound, but hearing her sing as a solo artist shows a whole different side to her. She is well known for her powerful singing, but what I really enjoy is how warm and comforting her singing and songs are. The emotions she brings to tell a story through song is her real skill. She's still active and just released a new album this year called "I Love LOVE". For Tim to react and analyse how she sings with real feeling and power would be amazing~”

“Folk rock japanese singer/band leaning more and more into noise and agressive vocals over the years. Interesting singer, cool music.”

“Taiwanese mathrock/jazz fusion band, mostly instrumental but still has some vocals. Very creative. I love their bass.”

“I listen to this song when I want to simply fall into and be one with music. I found this through Liz who you’ll know from the IVE killing voice. Liz is K-pop but the song is J-pop so it could probably go in either one.”

“You can see how Forestella lives it all on the stage ❤️”

“This cover was done during the pandemic. The beautiful harmonies bring hope to the world!”

“Just insanely melodic and beautiful metal song. Same artist as a recent song reaction that 100% deserves a deep dive. Also, added a live version because you were interested in their drummer from the previous reaction. Studio ver for better audio quality: https://www.youtube.com/watch?v=YVi6kxlNG0M”

“Probably one of the best rhythm game OST's out there, by far!”

“"Piece by Piece" is the same story told from three different stages of Kelly Clarkson's life. The lyrics changed as her perspective changed. The original song (2015) was written after Kelly became a wife and mother and the song was written to show what she wanted at that time. 2023 Post-Divorce Rewrite, after her divorce, Kelly could no longer relate to the original lyrics because they praised a marriage that had ended. She rewrote the song and shifted the focus away from her ex-husband. Instead of someone else saving her, she emphasized taking care of herself. She later said this version felt angry and was written while she was still processing the pain (on the Kelly Clarkson Show). Healing (Kelly Clarkson Show / Recent Version) Rather than being hopeful about another person or angry about what happened, this version focuses on self-love, acceptance, and healing. Also take this explanation with a grain of salt this is from surface level research. Original: https://youtu.be/LqCqYP7hDWI?si=brxcZi04kNefB6oT Orginal Live: https://youtu.be/qmMzv9Fen_s?si=2Dmsy6jBwcBF7Zps (Tears) 2023: https://www.youtube.com/watch?v=julyswCIrvc 2025/2026: https://youtu.be/HqgAXODLmLc?si=enUthGoXQgpfPrek (Includes talking before singing)”